Not of This Earth is an independently made 1957 American black-and-white science fiction film produced and directed by Roger Corman for his Los Altos Productions, that stars Paul Birch, Beverly Garland, Morgan Jones, and William Roerick. The film was written by Charles B. Griffith and Mark Hanna and was distributed by Allied Artists Pictures Corporation. Prints ran 67-minutes; others were expanded by the distributor to 71-minutes.

Not of This Earth depicts the dark deeds of an alien intruder who hides under the name of Mr. Johnson. After a nuclear war, the people of his home planet, Davanna, have developed an incurable blood disease. Johnson’s mission to Earth is to test the blood of humans for its usefulness in saving his species from extinction.

Plot:
After a nuclear war, the people of the planet Davanna developed an incurable blood disease. One of its citizens is sent to Earth to examine the blood of the humans for its usefulness in curing Davanna’s dying race. The intruder (Paul Birch) has adopted the name Mr. Johnson, conspicuous only for his oversensitive ears and his sunglasses, which he wears even in the dark. The sunglasses hide his blank, white-eyed stare which kills his victims by burning through their eyes and into their brains.

Johnson hires nurse Nadine (Beverly Garland) to look after him in his house. Her boss, Dr. Rochelle (William Roerick), is under Johnson’s hypnotic control after finding out about his patient’s peculiar blood cell structure. Johnson’s plans are disturbed by the unexpected and sudden appearance of a woman from Davanna. She asks him for an immediate transfusion, because her physical condition is rapidly deteriorating. Johnson then breaks into Rochelle’s office, but by accident he steals blood contaminated by rabies. Later, the Davanna woman collapses in the street, dying at a hospital. Nadine’s friend, police patrolman Harry Sherbourne (Morgan Jones), tries to question Dr. Rochelle about the dead woman, but he is unable to speak while under Johnson’s mind control. As a precaution, now fearing discovery, Johnson kills Rochelle, but Nadine, also in danger, manages to call the police. Johnson then flees in his car, pursued by Sherbourne on his motorcycle. When When Sherbourne turns on his siren, Johnson, suddenly distracted by the loud sound, drives his car off the road and dies in a crash.

After Johnson’s burial, Sherbourne and Nadine stand by his grave, which bears the inscription “Here lies a man who was not of this Earth”. While Sherbourne expresses mild compassion for Johnson, whose driving force was the rescue of his planet and its dying populace, Nadine refuses to offer any kind of pity. They leave, but soon a mysterious man appears at the grave site. Like Johnson, he wears the same sunglasses and carries the same distinctive case containing transfusion equipment

Production notes:
Griffith says that after he and Corman had collaborated on the film Gunslinger, he suggested they make a science fiction film and Corman agreed; Not of This Earth was the result.[2] He also said he originally wrote the part of the vacuum cleaner salesman for himself.

Not of This Earth was released in the U. S. on the bottom half of a double bill with Corman’s Attack of the Crab Monsters.According to Tim Dirks, the film was one of a wave of “cheap teen movies” released for the drive-in market. They consisted of “exploitative, cheap fare created especially for them [teens] in a newly-established teen/drive-in genre.”

Some release prints of Not of This Earth run 71 minutes; these include duplicate scenes the film’s distributor added into the film. Example: a dialogue between Johnson and a representative from Davanna, which appears as a pre-title sequence, is reused again some minutes in the film. This release version circulated in syndication on U. S. TV stations, 16 mm copies, and bootleg DVDs and videotapes. ~ From Wikipedia

Space-Men (a.k.a. Assignment: Outer Space) is a 1960 Italian science fiction film directed by Antonio Margheriti. The film stars Rik Van Nutter and co-stars Gabriella Farinon, David Montresor, Archie Savage, and Alain Dijon.

Space-Men’s storyline recounts a mission in the 22nd century aboard a space station. The mission involves a risky effort by its crew to redirect a malfunctioning spaceship that threatens to destroy the Earth.

In 2116 Interplanetary Chronicle of New York reporter Ray Peterson (Rik Van Nutter), launched in Bravo Zulu 88, joins the crew of an orbiting space station. Peterson is assigned to write a story about the infra-radiation flux in Galaxy M12. While on the space station, tension mounts between Peterson and the station commander (David Montresor). The commander believes the reporter is in the way, calling him a “leech”, but has orders to leave him alone. A complication arises when Lucy (Gabriella Farinon), the station botanist and navigator, is attracted to both the commanding officer and Peterson.

When errant spaceship Spaceship Alpha Two enters the solar system, as it approaches closer to the Earth, its photon generators radiate enough heat to destroy the planet. In efforts to intercept Alpha Two, Sullivan (Franco Fantasia), a crew member, sacrifices himself in a futile attempt, and space station pilot Al (Archie Savage) also fails in an aborted attempt to shoot the spaceship with a missile.

With the two crew members dying in their attempt to destroy Alpha Two, Peterson decides to use Space Taxi B91 to fly to the spaceship. His goal is to enter the spaceship and disarm the generators. When inside, he is directed to disable the computers that run the spaceship and shut down all power sources, but finds that he is trapped inside when the emergency hatch is also disabled.

Despite orders from the “High Command”, not to intervene, The commander and his assistant undertake a dangerous mission to intercept the out-of-control spaceship and rescue Peterson. Reaching the reporter as he is slumps to the floor, the rescuers bring back him back to the space station. With the stricken spaceship redirected away from the Earth, Peterson wins Lucy’s affection and the commander’s respect.

Director Antonio Margheriti had read science fiction comic books since a young age, and when he was offered to direct a science fiction film, he immediately seized the opportunity. Space-Men was his first full directoral effort, with Margheriti going on to direct 55 films.

Space-Men was made from a script written by Margheriti and Ennio De Concini. The film was shot at the same time director Mario Bava was filming Black Sunday on a sound stage the next door.[6] Margheriti took over the studio work with miniatures that were featured in the outer space segments. ~ From Wikipedia

The first time I saw Queen of Blood was in the late seventies when I was a teenager on a double bill with Night Tide another great Curtis Harrington classic at the Neptune Theatre in Seattle Wa. I loved the way Roger Corman would buy obscure Polish and Russian Science Fiction  films and make a new film around them. This was very inspiring to me, I also loved the sets, costumes, colors and lighting in this film. I always loved the atmospheric tone in Harrington’s work. You will see a young Dennis Hopper before his slide into drug crazed madness. So if you have some time to kill go grab a beer and sit back and enjoy a film made in a time when filmmakers would edit their films on upright Moviolas – enjoy

 

Queen of Blood is a 1966 color science fiction-horror film based on the screenplay for an earlier, Soviet film called Mechte Navstrechu. It was produced by George Edwards and Samuel Z. Arkoff, directed by Curtis Harrington, and starring John Saxon, Basil Rathbone, Dennis Hopper, and Judi Meredith. The film was released by American International Pictures as part of a double bill with the AIP feature Blood Bath. Director Harrington crafted this B-movie using footage from the Soviet feature films Mechte Navstrechu and Nebo Zovyot.

The year is 1990, and space travel is well-established since humans first landed on the Moon twenty years earlier. At the International Institute of Space Technology, communications expert and astronaut Laura James monitors strange signals being received from outer space. Laura’s superior, Dr. Farraday, translates the signal and discovers that it is from an alien race, who are sending an ambassador to Earth. Soon after, however, Laura receives a video log showing that the aliens’ spaceship has crashed-landed on Mars.

The Institute launches a rescue mission aboard the spaceship Oceano, which includes Laura and astronauts Anders Brockman and Paul Grant. Oceano travels through a sunburst, suffering some damage, before completing the journey to Mars and locating the downed alien craft. Anders and Paul investigate and discover a single dead alien aboard. Faraday deduces that the surviving crew may have been rescued, so an observation satellite will be needed to locate the alien rescue ship. Laura’s fiancé Allan and fellow astronaut Tony volunteer. They travel on the spaceship Meteor to Phobos, one of the two moons of Mars, where they launch the observation satellite. Tony finds an alien spaceship on Phobos. He and Allan are able to enter, finding an unconscious but still-living female alien. As their rescue ship holds only two, one of them must stay behind, so they toss a coin and Tony stays.

Allan and the female alien arrive on Oceano, joining Laura, Paul and Anders. The alien regains consciousness and smiles at the three men, but not Laura. The alien refuses to eat all food offered and will not let Anders take a blood sample. That night, as Paul is guarding the alien, she attacks and kills him, draining his blood after first hypnotizing him. The surviving astronauts decide to keep her alive by feeding her blood from the ship’s plasma supply. When this supply runs out, she kills Anders and feeds on him, leaving Laura and Allan the only humans aboard.

The alien then attacks Allan, but Laura interrupts her before she can kill again. Laura scratches her in the struggle, and the alien screams in terror, quickly bleeding to death. Laura and Allen then find alien eggs hidden aboard. Allan hypothesizes that she was royalty, likely a queen (assuming human-like inbreeding among royalty, hence her hemophilia), and was being sent to Earth in order to breed. Their spaceship lands safely, but Earth authorities decide to study the alien eggs rather than destroying them outright, as Allan has urged.

Harrington had made his name with the feature Night Tide, which impressed Roger Corman enough to offer the director a film project. “Of course, I would like to do a more individual film than Queen of Blood”, said Harrington at the time, “but I can’t get the financing. However, the film is entertaining, and I feel I was able to say something within the context of the genre.” Queen of Blood was made using special effects from the Soviet film A Dream Come True, but director Harrington estimated that 90% of the film was his.

Czech actor Florence Marly was a personal friend of director Harrington. He later said that he had to fight with Roger Corman in order to hire her “because she was an older woman. I’m sure he had some bimbo in mind, you know? So I fought for Marley because I felt she had the required exotic quality that would work in the role.” Harrington also said Dennis Hopper “was like a part of my little team by then,” so he agreed to also appear.

John Saxon later claimed that Gene Corman had more to do with Queen of Blood than Roger. Saxon estimated that his scenes were shot in seven to eight days and that Dennis Hopper “was trying very hard to keep a straight face throughout” during the making of the film.

“Basil Rathbone had one day (on the set),” added Saxon. “I think it was the last appearance he ever made in a film. He came on and he was a very, very distinguished gentleman. He did his scene. But he got annoyed, because they didn’t get the sound right on his first take, and they asked him to come back. He dressed down the director.”

Basil Rathbone was paid $1,500 to act for a day and a half on Queen of Blood, and $1,500 for half a day on Voyage to the Prehistoric Planet (1965), another film that incorporated Russian film footage. Rathbone ended up working overtime and missed a meal. The Screen Actors Guild demanded overtime pay, plus a fine for the meal violation, but producer George Edwards produced footage that showed the delay was because Rathbone had not memorized all his lines and insisted on skipping lunch.

According to one account, the budget for this and Voyage to the Prehistoric Planet came to $33,052 Another said the film cost $65,000.

~From Wikipedia,